My sculptures invent a new biology, drawing from Ernst Haeckel's meticulous studies of natural organisms, the raw structural energy of Lee Bontecou's wall reliefs, and the stark cohesion of Louise Nevelson's monochromatic assemblages. Forms shift between the microscopic and the macroscopic, merging plant and animal into something unfamiliar yet organic. Though rendered entirely in white and removed from the palette of living things, the work pulses with movement, as if caught mid-transformation.

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My photographs explore the liminal space between clarity and ambiguity, a boundless transcendent essence that is both settled and unfathomable. My goal is to raise unresolved questions leading the viewer to closely examine the images and attempt to discern the indeterminate; to find the details that leap out and prick the viewer with a strange and often inexplicable emotion.